And loyal fans might have something other things to look ahead to: Lars and the guys reportedly may release an exceptional Metallica-only version of the game ont following year.

In related news, Guns N Roses, will also bring out their new track, “Shackler’s Revenge” on Guitar Hero’s rival, Rock Band II, in September.

Are you waiting for another Abba reunion concert? Well, don’t get so excited cause you are in for a great disappointment. Though the group reunited on the red carpet for the Swedish premiere of the Mamma Mia! movie, one founding member of the iconic ’70s group stated the fact that the band’s performing days are over – forever.

“We will never appear on stage again,” Björn Ulvaeus Andersson, 63, said in an interview with the U.K.’s Sunday Telegraph. “There is simply no motivation to regroup. Money is not a factor and we would like people to remember us as we were. Young, exuberant, full of energy and ambition.”

Sounds like fans will have to make do with the new film, which stars Meryl Streep, Pierce Brosnan and Colin Firth and features 22 of the band’s signature songs.

“Meryl Streep is a goddess,” Ulvaeus says. “To hear her delivering the songs with all the emotion we put in the lyrics is more than we could have dreamed of.”

Camp Rock, their Disney Channel movie which featured several musical performances by the teen band, snagged 8.9 million viewers Friday night, making it the most-watched cable program this year.

The movie is a Cinderella-like tale where Kevin, 20, Joe, 18 and Nick, 15, star as teen pop stars sent to a prestigious rock camp. Actress/singer Demi Lovato, 15, co-stars as the poor-girl-with-a-booming-voice whom Joe flips over.

As big a smash as Camp Rock was, it didn’t come close to last summer’s juggernaut High School Musical 2, which debuted with 17.2 million viewers in August.

But the brothers don’t have time to worry about that. They kick off their summer tour July 4 in Toronto and are developing a Disney TV series in which they’ll play spies.

“There has been massive demand for Radiohead’s music on iTunes,” EMI communications SVP Jeanne Meyer told Listening Post. “Once In Rainbows was unbundled, it was a natural progression to unbundle (the rest of) their catalog” so that it would be available there.

Radiohead had previously allowed EMI to sell its albums digitally on music services only in album form. Apple refuses to do this, so Radiohead declined to sell its music on iTunes — by far the largest of the digital music stores. However, the band’s approach changed with In Rainbows, which the band released for unbundled sale on iTunes following its pricing-optional debut.

Radiohead’s back catalog of EMI albums, its videos and its new Greatest Hits album are all available in the iTunes Plus store, in the DRM-free AAC format.

“South Pacific” took 11 nominations. It is a lush, lavish revival of Rodgers and Hammerstein’s. It was followed by “Sunday in the Park With George” with nine. Three shows received seven nominations: “August: Osage County,” “Passing Strange” and the revival of “Gypsy.”

“Heights” was nominated for best musical along with “Passing Strange,” the story of one man’s journey through sex, drugs and rock ‘n’ roll; “Cry-Baby,” a raunchy ’50s teenage romance based on the John Waters film; and “Xanadu,” a spoof of the ’80s disco movie musical.

“August: Osage County,” already the winner of the Pulitzer Prize for drama, was nominated for best play along with Conor McPherson’s “The Seafarer,” Tom Stoppard’s “Rock ‘n’ Roll” and “The 39 Steps” by Patrick Barlow.

Here’s the complete Tony Nominees and award categories:

Best Play

August: Osage County
Author: Tracy Letts
Producers: Jeffrey Richards, Jean Doumanian, Steve Traxler, Jerry Frankel, Ostar Productions, Jennifer Manocherian, The Weinstein Company, Debra Black/Daryl Roth, Ronald & Marc Frankel/Barbara Freitag, Rick Steiner/Staton Bell Group, The Steppenwolf Theatre Company

Rock ‘n’ Roll
Author: Tom Stoppard
Producers: Bob Boyett & Sonia Friedman Productions, Ostar Productions, Roger Berlind, Tulchin/Bartner, Douglas G. Smith, Dancap Productions, Jam Theatricals, The Weinstein Company, Lincoln Center Theater, The Royal Court Theatre London

The Seafarer
Author: Conor McPherson
Producers: Ostar Productions, Bob Boyett, Roy Furman, Lawrence Horowitz, Jam Theatricals, Bill Rollnick/Nancy Ellison Rollnick, James D’Orta, Thomas S. Murphy, Ralph Guild/Jon Avnet, Philip Geier/Keough Partners, Eric Falkenstein/Max OnStage, The National Theatre of Great Britain

The 39 Steps
Author: Patrick Barlow
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Bob Boyett, Harriet Newman Leve/Ron Nicynski, Stewart F. Lane/Bonnie Comley, Manocherian Golden Prods., Olympus Theatricals/Douglas Denoff, Marek J. Cantor/Pat Addiss, Huntington Theatre Company/Nicholas Martin/Michael Maso, Edward Snape for Fiery Angel Ltd.
Best Musical

Cry-Baby
Producer: Adam Epstein, Allan S. Gordon, Élan V. McAllister, Brian Grazer, James P. MacGilvray, Universal Pictures Stage Productions, Anne Caruso, Adam S. Gordon, Latitude Link, The Pelican Group, Philip Morgaman, Andrew Farber/Richard Mishaan

In The Heights
Producers: Kevin McCollum, Jeffrey Seller, Jill Furman, Sander Jacobs, Goodman/Grossman, Peter Fine, Everett/Skipper

Passing Strange
Producers: The Shubert Organization, Elizabeth Ireland McCann LLC, Bill Kenwright, Chase Mishkin, Barbara & Buddy Freitag, Broadway Across America, Emily Fisher Landau, Peter May, Boyett Ostar, Larry Hirschhorn, Janet Pailet/Steve Klein, Elie Hirschfeld/Jed Bernstein, Spring Sirkin/Ruth Hendel, Vasi Laurence/Pat Flicker Addiss, Wendy Federman/Jackie Barlia Florin, Joey Parnes, The Public Theater, The Berkeley Repertory Theatre

Xanadu
Producers: Robert Ahrens, Dan Vickery, Tara Smith/B. Swibel, Sarah Murchison/Dale Smith
Best Book of a Musical

Cry-Baby
Mark O’Donnell and Thomas Meehan

In The Heights
Quiara Alegría Hudes

Passing Strange
Stew

Xanadu
Douglas Carter Beane
Best Original Score (Music and/or Lyrics) Written for the Theatre

Cry-Baby
Music & Lyrics: David Javerbaum & Adam Schlesinger

In The Heights
Music & Lyrics: Lin-Manuel Miranda

The Little Mermaid
Music: Alan Menken
Lyrics: Howard Ashman and Glenn Slater

Passing Strange
Music: Stew and Heidi Rodewald
Lyrics: Stew
Best Revival of a Play

Boeing-Boeing
Producers: Sonia Friedman Productions, Bob Boyett, Act Productions, Matthew Byam Shaw, Robert G. Bartner, The Weinstein Company, Susan Gallin/Mary Lu Roffe, Broadway Across America, Tulchin/Jenkins/DSM, The Araca Group

The Homecoming
Producers: Jeffrey Richards, Jerry Frankel, Jam Theatricals, Ergo Entertainment, Barbara & Buddy Freitag, Michael Gardner, Herbert Goldsmith Productions, Terry E. Schnuck, Harold Thau, Michael Filerman/Lynne Peyser, Ronald Frankel/David Jaroslawicz, Love Bunny Entertainment

Les Liaisons Dangereuses
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy

Macbeth
Producers: Duncan C. Weldon & Paul Elliott, Jeffrey Archer, Bill Ballard, Terri & Timothy Childs, Rodger Hess, David Mirvish, Adriana Mnuchin, Emanuel Azenberg, BAM, The Chichester Festival Theatre
Best Revival of a Musical

Grease
Producers: Paul Nicholas and David Ian, Nederlander Presentations Inc., Terry Allen Kramer, Robert Stigwood

Gypsy
Producers: Roger Berlind, The Routh-Frankel-Baruch-Viertel Group, Roy Furman, Debra Black, Ted Hartley, Roger Horchow, David Ian, Scott Rudin, Jack Viertel

Rodgers & Hammerstein’s South Pacific
Producers: Lincoln Center Theater, André Bishop, Bernard Gersten, Bob Boyett

Sunday in the Park with George
Producers: Roundabout Theatre Company, Todd Haimes, Harold Wolpert, Julia C. Levy, Bob Boyett, Debra Black, Jam Theatricals, Stephanie P. McClelland, Stewart F. Lane/Bonnie Comley, Barbara Manocherian/Jennifer Manocherian, Ostar Productions, The Menier Chocolate Factory/David Babani
Best Performance by a Leading Actor in a Play

Ben Daniels, Les Liaisons Dangereuses
Laurence Fishburne, Thurgood
Mark Rylance, Boeing-Boeing
Rufus Sewell, Rock ‘n’ Roll
Patrick Stewart, Macbeth
Best Performance by a Leading Actress in a Play

Eve Best, The Homecoming
Deanna Dunagan, August: Osage County
Kate Fleetwood, Macbeth
S. Epatha Merkerson, Come Back, Little Sheba
Amy Morton, August: Osage County
Best Performance by a Leading Actor in a Musical

Daniel Evans, Sunday in the Park with George
Lin-Manuel Miranda, In The Heights
Stew, Passing Strange
Paulo Szot, Rodgers & Hammerstein’s South Pacific
Tom Wopat, A Catered Affair
Best Performance by a Leading Actress in a Musical

Kerry Butler, Xanadu
Patti LuPone, Gypsy
Kelli O’Hara, Rodgers & Hammerstein’s South Pacific
Faith Prince, A Catered Affair
Jenna Russell, Sunday in the Park with George
Best Performance by a Featured Actor in a Play

Bobby Cannavale, Mauritius
Raúl Esparza, The Homecoming
Conleth Hill, The Seafarer
Jim Norton, The Seafarer
David Pittu, Is He Dead?
Best Performance by a Featured Actress in a Play

Sinead Cusack, Rock ‘n’ Roll
Mary McCormack, Boeing-Boeing
Laurie Metcalf, November
Martha Plimpton, Top Girls
Rondi Reed, August: Osage County
Best Performance by a Featured Actor in a Musical

Daniel Breaker, Passing Strange
Danny Burstein, Rodgers & Hammerstein’s South Pacific
Robin De Jesús, In The Heights
Christopher Fitzgerald, The New Mel Brooks Musical Young Frankenstein
Boyd Gaines, Gypsy
Best Performance by a Featured Actress in a Musical

de’Adre Aziza, Passing Strange
Laura Benanti, Gypsy
Andrea Martin, The New Mel Brooks Musical Young Frankenstein
Olga Merediz, In The Heights
Loretta Ables Sayre, Rodgers & Hammerstein’s South Pacific
Best Scenic Design of a Play

Peter McKintosh, The 39 Steps
Scott Pask, Les Liaisons Dangereuses
Todd Rosenthal, August: Osage County
Anthony Ward, Macbeth
Best Scenic Design of a Musical

David Farley and Timothy Bird & The Knifedge Creative Network, Sunday in the Park with George
Anna Louizos, In The Heights
Robin Wagner, The New Mel Brooks Musical Young Frankenstein
Michael Yeargan, Rodgers & Hammerstein’s South Pacific
Best Costume Design of a Play

Gregory Gale, Cyrano de Bergerac
Rob Howell, Boeing-Boeing
Katrina Lindsay, Les Liaisons Dangereuses
Peter McKintosh, The 39 Steps
Best Costume Design of a Musical

David Farley, Sunday in the Park with George
Martin Pakledinaz, Gypsy
Paul Tazewell, In The Heights
Catherine Zuber, Rodgers & Hammerstein’s South Pacific
Best Lighting Design of a Play

Kevin Adams, The 39 Steps
Howard Harrison, Macbeth
Donald Holder, Les Liaisons Dangereuses
Ann G. Wrightson, August: Osage County
Best Lighting Design of a Musical

Ken Billington, Sunday in the Park with George
Howell Binkley, In The Heights
Donald Holder, Rodgers & Hammerstein’s South Pacific
Natasha Katz, The Little Mermaid
Best Sound Design of a Play

Simon Baker, Boeing-Boeing
Adam Cork, Macbeth
Ian Dickson, Rock ‘n’ Roll
Mic Pool, The 39 Steps
Best Sound Design of a Musical

Acme Sound Partners, In The Heights
Sebastian Frost, Sunday in the Park with George
Scott Lehrer, Rodgers & Hammerstein’s South Pacific
Dan Moses Schreier, Gypsy
Best Direction of a Play

Maria Aitken, The 39 Steps
Conor McPherson, The Seafarer
Anna D. Shapiro, August: Osage County
Matthew Warchus, Boeing-Boeing
Best Direction of a Musical

Sam Buntrock, Sunday in the Park with George
Thomas Kail, In The Heights
Arthur Laurents, Gypsy
Bartlett Sher, Rodgers & Hammerstein’s South Pacific
Best Choreography

Rob Ashford, Cry-Baby
Andy Blankenbuehler, In The Heights
Christopher Gattelli, Rodgers & Hammerstein’s South Pacific
Dan Knechtges, Xanadu
Best Orchestrations

Jason Carr, Sunday in the Park with George
Alex Lacamoire & Bill Sherman, In The Heights
Stew & Heidi Rodewald, Passing Strange
Jonathan Tunick, A Catered Affair

Regional Theatre Tony Award
Chicago Shakespeare Theater

Special Tony Award
Robert Russell Bennett (1894-1981), in recognition of his historic contribution to American musical theatre in the field of orchestrations, as represented on Broadway this season by Rodgers & Hammerstein’s South Pacific.

Special Tony Award for Lifetime Achievement in the Theatre
Stephen Sondheim

Tony Nominations by Production
In The Heights – 13
Rodgers & Hammerstein’s South Pacific – 11
Sunday in the Park with George – 9
August: Osage County – 7
Gypsy – 7
Passing Strange – 7
Boeing-Boeing – 6
Macbeth – 6
The 39 Steps – 6
Les Liaisons Dangereuses – 5
Cry-Baby – 4
Rock ‘n’ Roll – 4
The Seafarer – 4
Xanadu – 4
A Catered Affair – 3
The Homecoming – 3
The New Mel Brooks Musical Young Frankenstein – 3
The Little Mermaid – 2
Come Back, Little Sheba – 1
Cyrano de Bergerac – 1
Grease – 1
Is He Dead? – 1
Mauritius – 1
November – 1
Thurgood – 1
Top Girls – 1

This week Carly Smithson performed the song “Superstar” from “Jesus Christ Superstar” from the 70s rock opera. It was composed by the renowned Andrew Lloyd Weber. Lots of Christians have criticize this song because its questioning the divinity of Jesus Christ. Christians also viewed the opera as blasphemy.

The New York Times suggested on their paper that the song Carly Smithson performed was the reason whe was voted out. Online sites especially on the American Idol websitem lots of fans predicted that Smithson will be voted out because of her choice of song which eventually came true.

Ramiele was joined by Kristy Lee Cook and Brooke White in the bottom three. The eight remaining Idol hopefuls include: Jason Castro, 20; early fan favorite David Archuleta, 17; emerging “Idol” star David Cook, 25; Michael Johns, 29; Syesha Mercado, 21, and Carly Smithson, 24.

Chris Cornell covered Michael Jackson’s “Billie Jean” into a rock version in his album Chris Cornell: Unplugged in Sweden last 2007. While David Cook of American Idol 7 covered the covered song on the American Idol challenge last week. Lots of the two artists fans are arguing who did best? Chris or David?

Well, let’s not forget to give credit to Michael Jackson who have done the original pop version of the song and had come up with the original lyrics, arrangement and flipping. He truly deserves the credit.

But for the rock version, I admire Chris Cornell for his very creative arrangement and original idea to change MJ’s song. He made it very soulful and very astonishing. Well, actually in my opinion David Cook cannot do his cover song without the original cover made by Chris right?

David Cook sang the song well and his got good points from Idol for that. But its wrong for the judges part to partly forget that it isn’t Cook’s version but from singer Cornell who had done the original rock arrangement of the song.

So for me, in the case of the rock version of Billie Jean.. Chris Cornell must take full credit.